Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thursday, May 17, 2012

Poetic Treatment

Women at the forefront of medical science, health inequalities, and medical archaeology might not be obvious subjects for poetry, but all these things were given poetic treatment by some of the the prize-winning entries for the 2012 Hippocrates Awards for Poetry and Medicine, announced last Sunday at Wellcome Collection.

The Hippocrates Awards celebrate the capacity of poetry to give unique insight into medical experience. First prize in the open competition went to American poet Mary Bush, for a poem inspired by the pioneering work of a female scientist in the field of human tissue engineering. The NHS prize (restricted to current or former UK NHS-related staff and UK health students) was won by former nurse Nick McKinnon, for a poem detailing the transformation of a Victorian asylum into a gated, luxury development in the twentieth century.

Previous winners and commended entries of the Hippocrates Prize can be read in the Wellcome Library, as we hold both the 2010 and 2011 anthologies, while the 2012 anthology will find its way to our shelves as soon as our copy arrives. It will sit alongside many other poetry collections, novels, graphic novels, and books and journals that reflect upon the relationship between medicine and literature, all of which can be found on the Library catalogue, or by using this thematic guide.

Sunday, October 9, 2011

Morning Circle Time - Nature Study

October's Party
October gave a party; the leaves by hundreds came,
The Chestnuts, Oaks, and Maples, and leaves of every name.
The Chestnuts came in yellow, the Oaks in crimson dressed,
The lovely Misses Maple, in scarlet looked their best.
-Unknown Author
Many families already implement the idea of a morning circle time. Even in our family with high school age children (and above) we meet together each morning for our version of "circle time" because it has been our established routine for many, many years. Circle time is a great time to include some nature study themes and activities. Here are some ideas to get you started and that will tie into your Outdoor Hour Challenge time.

Image from PreKinders
  • The morning is the perfect time to share daily weather and changes in the trees or plants outdoors. Each day your child can go outside briefly or look out the window to give the morning "nature report". Younger children can share with their words or use pre-made pictorial cards, then progress to keeping a daily weather/nature journal, and finally older students can record temperatures, wind direction, cloud types, and changes in plants, animals, and birds.  (PreKinders has weather themed printables for your circle time activities.)
  • Memorize a seasonal poem or a stanza from a poem like the one quoted at the top of this blog entry.
  • If you already include a "color of the week", why not ask what things in nature are that particular color? Try to get them to dig deeper than the ordinary by building on your outdoor time. You can give them hints to get started by reminding them of subjects you observed outdoors. What did we see yesterday in the garden that was yellow? Can you remember the name of a yellow bird? What yellow object did you sketch in your nature journal last week?
  • If you have a "number of the week", ask them to list objects they have learned about as part of their nature study? Can you name four birds? What are five garden flowers? Can you think of six mammals?
  • You can use this time to work on your verbal skills by having an object from your nature table to pass to each child. They take turns describing the object using as many adjectives as they can. 
Gently work into your circle time some references to your nature study and it will make some important connections as your children get in the routine of observing and learning about their very own backyard.

Circle Time - Kendra FletcherIf you haven't had a chance to read about circle time on Kendra's Preschoolers and Peace blog, I highly recommend you pop over and take a look.

Circle Time- Plan The Best Part of Your Day: Kendra has an ebook outlining ideas for circle time and she has generously offered to share a copy with one of my readers. To enter the giveaway, leave a comment here on this entry (one comment per person please). Each comment will have a chance in the random drawing of names on Friday, October 14, 2011 8 AM (EST).
Thanks Kendra.

Friday, August 20, 2010

Edwin Morgan (1920-2010)


The death was announced yesterday of the Scottish poet Edwin Morgan. A major poetical voice, Morgan's obituaries do their best to capture the range and styles of his vast array of poems.

Evident from Morgan's work is his fascination by science: his poems commenting with wonder upon such topics as space travel, zoology, biology and evolution. A naturally clear-sighted illustration of his belief in the close relationship of science with poetry, is to be found in his essay 'Poetry and Virtual Realities' published in Contemporary Poetry and Contemporary Science (2007) (a copy of which is held in our Medicine and Society collections).

In this essay, Morgan comments how his work looked at "how scientific facts and discoveries could be opened out fictionally within a broader context of human experience". Such a statement stands for much of his poetry, but perhaps the clearest examples are in his collection Virtual and Other Realities (2007). This work includes a poem on Matthew Clydesdale, the executed murderer allegedly brought (briefly) back to life by Dr Andrew Ure at the University of Glasgow in 1818 and 'A Voyage' a sequence of poems on the meeting of a sperm and an egg and which are told from their perspectives.

It is perhaps not surprising that when diagnosed with cancer Morgan turned his gaze inward: writing dialogues between a normal cell and a cancerous cell. Even here, life could be looked upon with wonder and humour.

Image: from The Guardian

Saturday, April 24, 2010

Edward Jenner and his moving statue

Broadcast tonight in the UK on BBC1, will be the latest episode of Doctor Who, in which the time traveller with the medical title meets again with the 'Weeping Angels', creatures with the appearance of statues but who can move in the blink of an eye. Timely, given a less frightening example of a moving statue (or really, a statue whose position has changed) has caught our attention in recent weeks.

Here's the statue in question: it's of Edward Jenner (1749-1823), the pioneering vaccinationist. This photograph was taken between the wars in Kensington Gardens in London and in 2010 it's where you'll still find the statue.

However, when it was erected by its sculptor William Calder Marshall in 1858, the statue stood a couple of miles or so east in Trafalgar Square. And as discussed in a recent edition of the British Medical Journal, a campaign has begun to return the statue to the Square.

A detailed account of the movement of Jenner's statue, is given in an article written by John Empson for the Journal of the Royal Society of Medicine in 1996 (and now freely available through PubMedcentral). The article illustrates where in Trafalgar Square the statue stood, and that Prince Albert (a keen supporter of vaccination) presided over the inauguration of the statute on the site in 1858. It also states how opinion soon turned against Jenner's statue and how this medical figure appeared not to be in keeping with the militaristic nature of the Square's other statues.

Perhaps in relation to Prince Albert's death in 1861, Jenner's statue - now lacking its most prominent supporter - was moved in 1862 to Kensington Gardens. But as Empson's article states, Kensington Gardens does have some ties to smallpox: the development of the Gardens arose from William III building Kensington Palace, and it was from smallpox which William's mother, father and wife all died.

Related to this question of the proper site to memorialise Jenner is an item from the Wellcome Library's collections, which discusses the matter in verse. Written in the nineteenth century by Edward Jenner's great nephew Stephen, this poem is illustrated with a sketch of Calder Marshall's Jenner statue. Should the statue be in Trafalgar Square with military heroes or perhaps:

a farmer's yard should be thy place
among the milkmaids and the cow herds race
And if not there I'll fix another site
And send thee off to Cowes the Isle of Wight


After cow-based puns (based upon, of course, Jenner first vaccinating using lymph from a cowpox pustule), we'll conclude with the poet's final words on Jenner's fame:

Then fame where art thou? - where's thy honour'd boon?
All that is precious ripens in the Tomb
From dust supremely, glory must arise
To join the bliss eternal in the skies

Wednesday, January 6, 2010

Finalists from Aesthetica's Creative Works Competition 2009

Aesthetica’s Creative Works Competition is an internationally recognised event that projects critical insight into the fast paced contemporary art world, making it easier for artists to connect with new audiences from across the globe.



This interchange of inspiration and ideas creates an infusion of creativity, which activates the audiences to take an in-depth approach when appreciating the artwork. With such a wide representation of different mediums, the Creative Works Competition is an excellent opportunity to enhance one's representation and therefore helps to build and maintain artists' profile.



Championing new talent in the genres of visual arts, photography, poetry and fiction, the Aesthetica Annual is a publication that will stir your imagination.



Whether you’re a budding poet, superb sculptor, storyteller or an arts enthusiast, the Aesthetica Annual provides a platform to gather inspiration and to get those creative juices flowing.



The Aesthetica Annual reflects art’s greatest power: to comment, debate and analyse the times in which we live. Inside this collection there are 96 artists and writers that span nationality and age, offering a true insight into the creative zeitgeist of our times.



Please have a look at our artists' work, you can do that by clicking here.



Aesthetica's Creative Works Competition 2009 Finalists:



Levan Urushadze - Art

Rain Is Coming













Merike Sule-Trubert - Art

Fear





















Mia Funk - Art

The Audience



















Paul Bursnall - Art

Red Corner





















Elissa Ramsay - Art

Sin City

















Michael Gutteridge - Art

Peveril of the Peak No.4 (at night)















Emma Gamble - Art

Of Things To Come





















Jacob Kulin

Glass II



















Salman Alhajri - Art

The Beauty of Arabic Calligraphy Compositions 3

















Sally Spedding - Poetry -

Den

Winning Entry

















Owen Lowery - Poetry

New Two-Tone Brogues



















Lynn Roberts - Poetry

Jam



















Matt Bryden - Poetry

Come Above Ground















Gill Learner - Poetry

Banged Out



















Sharon Black - Poetry

No Magician



















Jenny Powell - Poetry

Last Summer

















Alan Markland - Fiction

A Cold Wind













Hazel Aduna - Fiction

The Sunchild of Poggie Rom













Louise Beech - Fiction - Winning Entry

Learning To Breathe

















James Cole - Fiction

One Piece At A Time



















Mary Ann Zammit - Fiction

My Son, my past









Wednesday, July 22, 2009

25,000 new words to search


The Library blog generally focuses on items in the Wellcome Library’s holdings, mentioning their catalogue descriptions in passing: it rarely features the unglamorous process of how those catalogue descriptions are created. Two new additions to the catalogue of archives and manuscripts, however, highlight this process and between them present over 25,000 more words to act as targets for readers searching the database.

When the Wellcome Library switched to describing its archives and manuscripts on a database, there were many printed and typed hard-copy catalogues to convert: descriptions of 424 collections of twentieth century papers and over 8000 manuscripts. A dedicated project converted manuscript descriptions and the majority of the modern papers (c.80%), and since then Library staff have been working quietly behind the scenes to deal with the remaining catalogues. We have recently passed 400 converted catalogues and currently stand near the 95% mark.

A recently-converted catalogue, the papers of the British Medical Association (SA/BMA), demonstrates the process and the gain to the reader. The basic text of the old catalogue is transferred to a spreadsheet, with one line per database entry and each column corresponding to a database field. This transfer can be done by retyping or by cut and paste, depending on the nature of the old catalogue. Once in the spreadsheet, it is manipulated: new fields are added such as reproduction conditions and language, and HTML tags are added to the old text so that it will display correctly when viewed on the internet (paragraph breaks and italicised text are the commonest additions). Since the references by which readers have known the material previously will not always enable the database to build the records into the hierarchical “tree” used in the archive catalogue, they have to be examined and a new, slightly different version created that will sit in the database invisible to the reader but generating the “tree”. Finally, all this data is loaded to the database.

Some of our old catalogues contained not merely lists of the items held but also detailed indexing – most notably of correspondents, where collections contained a large number of letters. These indexes, too, can be converted to database form and made available to the researcher. A recent example is the correspondence of Carlos Paton Blacker (1895-1975) (PP/CPB), psychiatrist and secretary to the Eugenics Society. In the course of his long and varied life Blacker generated enough correspondence for the index to come to 39 pages. By moving this to a spreadsheet and carrying out some manipulation there to sift the entries into groups, this bulk has been broken up into nine more manageable accumulations of data, one for each of the major sections of the collection.

For researchers, the net result is 25,000 more words in the archives database: words of all varieties, expected and unexpected, whose common factor is that all can act as targets for searches. As an example, the BMA papers' previous basic entry on the database said that they included subject files on medical issues arising in particular places or with reference to particular diseases, but the database now allows one to locate, should one wish, the files relating to Llwynipia in the Glamorgan coalfield and the health problems there; Major Stevens’s controversial “Umckaloabo”, an alleged cancer cure; or the intriguingly-named Overbeck Rejuvenator. Blacker’s correspondents, similarly, can now be located, from (taking the letter B as a sample) the poet Edmund Blunden to Boxing magazine and Lieutenant A.D.A. “Fido” Balfour.

These, of course, are just samples from the long-running process behind the scenes that populates the archive database. Other recently converted collections include the papers of the sex education pioneer Marie Stopes (PP/MCS), the medical historian and tuberculosis specialist Walter Pagel (PP/PAG), and the Research Defence Society (SA/RDS). Each is now fully searchable online in a way that is sure to bring to light new ideas for research, new and strange product names, and individuals that you never knew were in correspondence with each other.

The illustration shows work in progress on the British Medical Association catalogue.

Tuesday, June 2, 2009

Ode to muscle relaxants

Lucy Smee, Assistant Curator in the Moving Image and Sound Department at the Wellcome Library, has been cataloguing moving images for the Wellcome Film project since June 2008. As part of her work, Lucy has seen every single title digitised so far, cataloguing and segmenting them for online delivery. A year on, and over 200 titles later, there are a few that she has found particular interesting, unique - or just plain weird:

'Neuromuscular block, 1956, is one of my favourites. Its delivery is amazing; possibly the only film in existence in which a clay model man in a dress suit and beard cheerfully delivers a rhyming poem about muscle relaxants.'

The film explains the theory and clinical practice of muscle relaxants using actual experiments and stop-frame animated cartoon characters. You can read more about Neuromuscular block on the Library's online catalogue or (for HE/FE subscribers) on Film and Sound Online.

Tuesday, December 18, 2007

"Nature is Full of Genius"

"I should hardly admire more if real stars fell and lodged on my coat. Nature is full of genius, full of divinity. Nothing is cheap and coarse, neither dewdrops nor snowflakes."

Thoreau's Journal-as quoted on page 814 of the Handbook of Nature Study

Saturday, November 17, 2007

"Into The Dewy Clouds"



Before your sight,
Mounts on the breeze the butterfly, and soars,
Small creature as she is, from earth’s bright flowers
Into the dewy clouds.

---Wordsworth

Tuesday, October 9, 2007

Oak Galls: California Gall Wasps

"A green little world
With me at its heart!
A house grown by magic,
Of a green stem, a part.

My walls give me food
And protect me from foes,
I eat at my leisure,
In safety repose.

My house hath no window,
'Tis dark as the night!
But I make me a door
And batten it tight.

And when my wings grow
I throw wide my door;
And to my green castle
I return nevermore."

The above poem about galls is shared on page 338 of the Handbook of Nature Study.

We found this interesting object on our nature walk a few weeks ago. I knew it was called a gall but I wasn't sure at all where it came from or what it was for. After doing some research in the
Handbook of Nature Study, I now know a lot about these interesting little houses.

Here's what it says on page 335:
"There are many forms of these gall dwellings, and they may grow upon the root, branch, leaf, blossom, or fruit. The miraculous thing about them is that each kind of insect builds its magical house on a certain part of a certain species of tree or plant; and the house is always of a certain definite form on the outside and of a certain particular pattern within. Many widely differing species of insects are gall makers; and he who is skilled in gall lore knows, when he looks at the outside of the house, knows just what insect dwells within it."

So now I know it is a home for an insect. I have grown up around these objects but have never taken the time to really get to know them. Here is some more on how they are formed.

From page 335-336
"A little, four-winged, fly-like creature, a wasp, lays its eggs, early in the season, on the leaf of the scarlet oak. As soon as the larva hatches, it begins to eat into the substance of one of the leaf veins. As it eats, it discharges through its mouth into the tissues of the leaf a substance which is secreted from glands within its body. Immediately the building of the house commences; out around the little creature grow radiating vegetable fibers, showing by their position plainly that the grub is the center of all of this new growth; meanwhile, a smooth, thin covering completely encloses the globular house; larger and larger grows the house until we have what we are accustomed to call an oak apple, so large is it."

Barb-Harmony Art Mom
Fascinating poster with oak galls in full color