Showing posts with label drug addiction. Show all posts
Showing posts with label drug addiction. Show all posts

Monday, February 21, 2011

Wellcome Library Insight - Addicts and Apothecaries

To accompany Wellcome Collection's High Society exhibition, this week's free Wellcome Library Insight session - on Thursday 24th February - highlights some of the dealers and dopers, addicts and apothecaries, who reside in our collections. Discover too, how our understanding and uses of drugs have altered from antiquity to the present.

Our Insight sessions offer visitors to the Wellcome Library an opportunity to explore the variety of our holdings. Sessions are thematic in style, last around an hour and offer a chance to learn about our collections from a member of Library staff.

This Thursday's session starts at 3.00pm, and tickets are available from the Wellcome Collection Information Desk from 1.30pm onwards. The event will also be British Sign Language (BSL) interpreted. For more details, see the Wellcome Collection website.

Image: An absinthe addict eyeing three glasses on a table; advertisement for film "Absinthe". Colour lithograph, ca. 1913 (Wellcome Library no. 638681i).

Friday, January 21, 2011

People take pictures of each other

‘People take pictures of each other,
And the moment to last them for ever,
Of the time when they mattered to someone.’

‘People take pictures of each other’ by Ray Davies

Picture the scene:
A smiling bride and groom in a garden flanked by proud parents
A fluffy terrier on a beach gazing up at the camera lens
A chubby baby crawling across a living room carpet

All could be images from any family photo album, charting networks of love and friendship laid down over the years, and skirting around the tensions and traumas of everyday life. But read the small label stuck inside the front cover of this ordinary-looking album, and the sunny memories it captures take on an unexpected poignancy:

'Drug Addicts at Home, Work and Play'

The album appears to have been put together during the 1980s, and forms part of the archive of Dr Ann Dally, who treated drug addicts in her private medical practice. The sensitive nature of the personal information contained in the album means that the Library will not make it available to researchers until 1 January 2090, a lifetime away for the family whose identity it would otherwise reveal.

Given the Wellcome Library’s aim to document the human experience of health, from birth to reproduction to death and all stages in between, it isn’t surprising that our archive collections contain many such highly-charged records of individual people’s mental, physical or sexual lives. As an archivist I am very aware that I am in a privileged position of power over such sensitive records, and must constantly balance the access needs of researchers with a duty of care to the individuals mentioned in them.

To demonstrate our commitment to handling living people’s personal information ethically, responsibly and lawfully, the Library has recently reviewed its practice in this area in consultation with the Information Commissioner’s Office (the UK data protection watchdog) and a panel of external advisors from The National Archives, the Bodleian Library and York Hospitals NHS Foundation Trust.

We hope that our updated Access to Archives policy will reassure our community of researchers and archive donors that we take into account the needs of all our constituencies when making decisions about access to personal data, especially the rights of all those unsuspecting individuals who will one day become part of the historical record at the Wellcome Library.

Thursday, May 27, 2010

Big Picture: Addiction

The latest edition of Big Picture, the Wellcome Trust resource for teachers and students, has just been published. It looks at the topic of 'Addiction': analysing the different forms addiction can take and the science used to understand it.

There's more to Big Picture than the magazine, however: extra online resources for 'Addiction' include teaching plans, video interviews and also an image gallery of material drawn from the Library's collections, exploring drug and alcohol use across time.

More information on Big Picture - including downloadable copies of previous issues - is available from the Wellcome Trust's website.

Friday, January 8, 2010

Addicted artists and the corridors of power: archive material opened January 2010

Sherlock Holmes took his bottle from the corner of the mantel-piece, and his hypodermic syringe from its neat morocco case. With his long, white, nervous fingers he adjusted the delicate needle, and rolled back his left shirt-cuff. For some little time his eyes rested thoughtfully upon the sinewy forearm and wrist, all dotted and scarred with innumerable puncture marks. Finally, he thrust the sharp point home, pressed down the tiny piston, and sank back…
(Sir Arthur Conan Doyle, The Sign of Four: opening words)


Every year, at the start of January, the Wellcome Library opens various archive items to the public that have been closed under the Data Protection Act until this point. As usual, this year’s collection of expired closures is widely varied, the subjects spanning madness, animal experimentation, the skin pigmentation disorder Argyria, and the discussions of Allied leaders during World War II. The items’ formats include patient records, personal diary notes, fellowship applications and organisational subject files. But what do any of these have to do with the opening words of The Sign of Four, possibly the best-known depiction of drug use in English literature until Trainspotting came along?

Among the items opened are several from the Manor House asylum, a private mental hospital located in Chiswick House, south-west London, some of whose papers are held at the Wellcome Library. MS.6224 comprises a volume of case notes for male patients in the years 1906-1925. The very first case provides our link. The patient, Charles Henry Malcolm Kerr, is an artist aged 48 who arrived at Chiswick in 1906. The doctor examining him on admission takes up the story:

"He is described as being normally rather reserved, and has done some good work painting, his portraits having been accepted by the Academy…. Broke down last spring and became irritable & excitable. Taken by Dr Lord to his "home" at Hampstead, then began to smash things, & threaten, and evidently in a condition of absolute insane excitement, was certified & sent to the Priory."

From the Priory Kerr was transferred to Chiswick. What his problems were may perhaps be indicated by the following undated note inserted between the pages of the newly-opened casebook:

"Dear Dr Tuke,
I wish I c[oul]d have some more brandy: it is like being in prison to be deprived like this of ordinary necessities.
C.K.
Also if you c[oul]d lend me a hypodermic syringe I s[houl]d be very much obliged."

Another note sheds light on the syringe:

"Dear Dr Tuke
Last night, the morphia bottle was not found in my room: so Mr [illegible] refused to give me a dose at all: this, I regard as the most monstrous piece of insolence in a paid [illegible] I have ever heard of: but not by any means the only bit of impertinence I have been subject to.
The morphia you have given me has had no effect at all. Mr Savage said definitely that I was to have it in doses strong enough to have some effect. I have told you over and over again that I have to take morphia in larger doses than people who are not accustomed to it: but you never attend to anything I say.
C.K"

Finally, another undated note suggests possible withdrawal symptoms:

"Sir
For heaven's sake send me some brandy or something, I never felt so ill in my life. If I had been at my own home I c[oul]d have put myself right hours ago.
C.K"

But the link to Sherlock Holmes? Although the doctor making notes on Kerr’s admission concentrates on his portrait work, Kerr was also a book illustrator of some note, providing pictures for works by Rider Haggard, Robert Louis Stevenson – and Conan Doyle. In fact, when The Sign of Four, with its vivid opening depicting intravenous drug use, was published in 1890, it was with illustrations by Charles H.M. Kerr.

Holmes’s drug of choice is said to be cocaine rather than the morphia Kerr uses, but Doyle does make a reference to “the drowsiness of the drug” when talking of cocaine use in a way that suggests this is one of his notorious errors of detail and that, at least sometimes, Holmes should be seen as taking morphia. Does art imitate life in this case, or life imitate art? Did the illustrator work on a text describing a dependency he knew only too well, or only later fall victim to the same addiction? The case-notes await work that would flesh this out.

What is only too clear is that the two addicts had different fates: Holmes, famously, is weaned off his drug-use by Watson, but Kerr has a less happy end. On September 8th 1906 he leaves the Manor House for his wife’s care, noted as "Discharged ‘Relieved’", but a note below this comments "Died at Burgess Hill, December 1907", a little over a year later.

Elsewhere in the papers newly open, we find a notebook by Winston Churchill’s physician Lord Moran, containing observations on many topics including Churchill’s character and oratory, and the meetings of Allied leaders. In February 1945 he accompanies Churchill to the meeting of Allied leaders at Yalta and comments on Franklin D. Roosevelt’s poor health:

There was a good deal of talk last night about the afternoon Conference at the President's house. Everyone thought he had gone to bits physically and there was much speculation ab[ou]t the cause. It was at [illegible] that I first realized there was something wrong and that he was losing weight. Now anyone can see that he is a very sick man. It is not only his physical deterioration that they notice. He intervened in the discussion very little, his mouth dropped and he seemed to have little grip on things. He has al[wa]ys been short of knowledge about the subject under discussion but his shrewdness as covered this up to the present. Now, they say, the shrewdness is gone and there is nothing left.
Stalin doesn't seem to be taking advantage of the new situation…
Cadogan [Sir Alexander George Montagu Cadogan (1884-1968), permanent under-secretary at the Foreign Office] told me he did not think Stalin liked the PM's theatrical style. He had noticed him looking at Winston when he was making gestures with tears in his eyes. I wonder if this only means Cadogan himself doesn't like this particular style of oratory…"
(PP/CMW/K.4/2)

This is one of only three items from the Moran papers to be opened this year, but these few are the prelude of a long series to come: January 2011 will see twenty-one items from that collection newly opened. Fascinating revelations can be expected.

From addicted artists to the corridors of power: the full varied list of items newly opened is given below. Readers are warmly invited to visit the Library and enjoy the sensation of being among the first people to read these papers for decades.

MS.6224 Manor House asylum: case notes, male patients (surnames A-K only), 1906-1925
MS.6226 Manor House asylum: case notes, female patients (surnames L-Z only), 1906-1925
MS.6334 Ticehurst House hospital: patient Certificates and Notices: Admission dates 1905-1909.
MSS.6347-6348 Ticehurst House hospital: Margaret Georgina Finch patient file (2 parts)
MS.6788 Ticehurst House hospital: Photograph Album
PP/CMW/D.6/1/1 Lord Moran papers: notes on London teaching hospitals and metropolitan regions
PP/CMW/D.6/1/3 Lord Moran papers: notes on teaching hospitals in the provinces
PP/CMW/K.4/2 Lord Moran papers: notebook containing miscellaneous observations on Winston Churchill character, oratory, meeting Stalin, Teheran, 1943
PP/HUN/C/1/7 Donald Hunter papers: Argyria
PP/RAS/D.41/3 Hugo Rast papers: patient file, Wladimir Wolkoff
SA/BMF/A.2/95-98, 100, 106 Beit Memorial Fellowship records. Files on: Eagles, George Hardy; Needham, Dorothy May; Chamberlain, Ernest Noble; Allott, Eric Newmarch; Denny-Brown, Derek Ernest; Irvine, James Tutin
SA/BRA/C.1/3/1 Brain Research Association papers: response to the 1979 Protection of Animals (Scientific Purposes) Bill and the 1979 Laboratory Animals Protection Bill (Includes papers from the Committee for the Reform of Animal Experimentation, The Physiological Society, the Research Defence Society, The Royal Society, and the Universities Federation for Animal Welfare)
SA/MAC/G.1/1 Mental Aftercare Association records: Registers
SA/MAC/G.2/5 Mental Aftercare Association records: Case Agenda Books
SA/RDS/J/12/3-9 Research Defence Society: files relating to the 1979 Protection of Animals (Scientific Purposes) Bill
SA/RDS/J/17 Research Defence Society: correspondence, 1980

All are described in the Archives and Manuscripts catalogue: simply search on the reference given at the start of each entry.

Illustrations: the upper illustration shows the first page of The Sign of Four. The lower shows Lord Moran aboard a ship.