Island Of Lost Souls --- Part Two

The Panther Woman contest was valued advance publicity for not- yet-shooting Island Of Lost Souls. September 1932 saw assigned director Norman Taurog replaced by Erle C. Kenton. Paramount is having trouble injecting comedy into Island Of Lost Souls fantastic yarn in which a dog's soul becomes a man, to which Variety added that he (Kenton) will supply a more subdued type of comedy in his direction. Here, if nothing else, was sampling of daft data the trade sometimes received on films in progress. If Paramount went for lightening this Island's load with comic relief, they must have reconsidered and cut same prior to release, as there's little mirth in the pic as it stands.

There was, according to Variety, much difference of opinion between Paramount's east coast home office and "west coast factions" on how best to sell Island Of Lost Souls. Some favored going with the so-called horror angle, while New York's "specially prepared campaign" for the Broadway date opted for Panther Woman emphasis. East Coast final authority, said the trade, decided that the chiller thing had been done to death in every way, adding Paramount has spent much time and expense exploiting the Panther Woman angle, including a contest, and it was also believed this should be cashed in on.

Admission prices had just been reduced when Island Of Lost Souls bowed at the Rialto (1-12-33). The first week was sufficiently healthy (over $35,000) to generate a trade ad aimed toward showmen down the line (Something New Hits Blasé B'Way!). Competing chiller The Mummy was meanwhile in its second week at the Mayfair, taking the toboggan on its holdover, slumping to $7,500 and may go out tomorrow, said Variety (Universal's monster had a good first week at $19,000, making its dismal second frame all the more a letdown). Subsequent Island Of Lost Souls playdates made clear where exploitation should focus: In theatres where it's been sold from the Panther Girl side, draw has been better than where sold as an another chiller (Variety).

Distaff response was a concern. Variety addressed Island Of Lost Souls from "The Woman's Angle" on its review page: Chills of distaste at the hideousness of this shocker's men-made-out-of-animals are not the kind of chills ladies like in pictures, while a separate column titled "Going Places" by one Cecilia Ager compared Kathleen Burke's Panther Woman unfavorably to the good common sense and clean Nordic look of co-star Leila Hyams. Clearly, the theme of bestiality, and suggestion of at-the-least miscegenation vis-à-vis Burke and Arlen, raised alarm in this and other observers. Now that bloom was coming off the Panther contest Rose, this Island was one increasingly deserted by patronage as the show wound its way beyond first-runs toward less receptive subsequent dating (too freaky to draw, came word from Lincoln, Nebraska).

Don't know how Island finished in terms of gross (does anyone?), but many (including Para staffer Arthur Mayer) recalled it as a disappointment. Not helping was revenue lost when U.K. censors banned the film altogether (too horrible being their curt March 1933 summation). Considerable of a blow to Paramount, said Variety, because the picture was made from an H.G. Wells story and features Charles Laughton, both British. Stateside snipping saw Island prints coming back a lighter weight to exchanges befuddled by content standards varying from one locale to another, dialogue and whole sequences being yanked willy-nilly and in most cases, not put back. Print inspectors must have sighed relief when a newly enforced Production Code brought at least something of an end to hinterland editing.



Lobby Card For a 1958 Paramount Reissue --- Can Anyone Confirm Playdates For That Year?



So are we finally in possession of a complete Island Of Lost Souls? I've found at least three different running times listed from 1933 trade reviews to a Blu-Ray present day. There were apparently reissues during the interim. One in the early forties (ad here) tendered The Sex-Starved "Tiger Woman," which certainly had possibilities, but imagine Code-cut remnants that audience saw. Paramount prepped a 1958 encore with new accessories, but I've not found theatre ads to reflect actual bookings. With sale to television the same year, Island Of Lost Souls bent to vagaries of 16mm printing. These were at the least variable and seldom fully-intact. Souls struck B Movie author Don Miller as more out-of-focus than eerie when he caught late-night telecasts.

For collectors, this Island was treasure filled. Soft as they pictorially were, we all wanted a print. William K. Everson played his to a Huff Society crowd in 1962 and classified Island Of Lost Souls as the last of the lost horror pictures of the thirties that we're likely to see. Everson called Island "a rather nasty and tasteless little work," but made contact with Erle C. Kenton by phone to talk about having directed it (a film he liked making, because he enjoyed doing horror films, but which he didn't seem to care for as a film, reported WKE). Observers of the Blu-Ray have noted dialogue restored that was missing from TV and Universal's laser disc. Kudos to Criterion for going that extra mile to put a complete-as-possible Island Of Lost Souls back in circulation (to which I'll add Greenbriar's humble request for next year ... The Uninvited).