Cecil Court

What a treasure this little alley is. In thre middle of theatre land, linking Charing Cross and St Martin's Lane. Antiquarian Book Store, original cartoons, rare maps, so much to keep you browsing for hours.
Cecil Court was laid out in the 17th century, named after Robert Cecil the first earl of Sailsbury a spymaster, a scretary of state for Elizabeth I and James I.
A very small street but packed with history, it was the address of W.A. Mozart and his family. Other long term residents include T.S. Eliot and actors Ellen Terry and John Gielgud.
Films, books, politics, Cecil Court has played an important role in them all.
The street is still owned by the Cecil family, and the buildings you see now date from the 1894 improvements.

Valerie Goodwin and the Human Environment

Illustration: Valerie Goodwin. African Burial Ground II, 2009.

Valerie Goodwin is a textile artist that probably approaches the medium through a realatively unique perspective, that of an architect. She has both a degree and Masters in architecture and has taught architectural design. This gives her a strong and definite edge to her work akin to that of the fairly structured disciplines of cartography, archaeology and architecture.

 Illustration: Valerie Goodwin. City Grid IV, 2007.

The use of planned and structured surfaces could give her work a cold and clinical appeal with quilts appearing as hard and intransigent geometrically set grids, but instead her work, although much of it based on the city grid map, takes into account the human element that makes a town or city. What at first glance  what seems to have been both scientifically and geometrically planned within an office as a concept or task, takes on the role of an organic human landscape.

This becomes more apparent when looking at Goodwin's work in detail, as what appears at a distance to be a regular street plan of any typical city or town across the planet, at a close up level shows numerous human interventions. Buildings and outhouses show that they are of different sizes and shapes to suit the needs of individuals, and house boundaries quickly become a fluid patchwork of interlocking properties which softens the geometry of the architectural office, producing a haphazard but liveable environment. After all, these maps are drawn to show human patterns of habitation, not that of the benefits of producing tight geometrical grids.

Illustration: Valerie Goodwin. City Grid IV (detail), 2007.

Goodwin has also taken the element of archaeology as an interesting added layer to the story of human habitation. Architectural archaeology allows the city to be peeled back or layered forward, depending on the time frame. This allows Goodwin to play with transparency and density, layers and half-layers and colour combinations, juxtapositioning generations of human habitation in a grand collage of life across countless generations of our ancestors.

Illustration: Valerie Goodwin. Labyrinth of the Hidden Goddess, 2005.

While some of her quilts show segments of city life though the arrangement of partial maps, most are self-contained and are a literal self-functioning organism, which seems very reminiscent of the countless Bronze Age city states that were scattered throughout the Mediterranean, Asia and Africa. Indeed some of the themes of the quilts do seem to be reminders that the city was not always the planned and faceless machine like grid that we often associate with modern city living, but a spiritual and organic part of the landscape. A city that both grew and retreated, was built over layer upon layer, walls within walls, countless ancestors becoming part of the fabric of the city, in fact a human environment for living rather than existing.

Illustration: Valerie Goodwin. Labyrinth of the Sleeping Goddess, 2005.

Goodwin has exhibited across the US and holds a number of workshops, which are mostly design orientated with an emphasis on the processes and development of art and design. She has a comprehensive and detailed website Studio Quilts which can be found here. She also has an invaluable blog, Cartographic Constructions, which gives an insight into her working methods and the larger world of architecture, archaeology and cartography, and can be found here. For those interested, there is also a flickr gallery with many of 'work in progress' photos, which can be found here.

All images were used with the kind permission of the artist.

Reference links:
Studio Quilts - Valerie Goodwin website
Cartographic Constructions - Valerie Goodwin blog
Valerie Goodwin Flickr gallery

Medical London: City of Diseases, City of Cures

Monday 10 November sees the publication of Medical London: City of Diseases, City of Cures, a work which charts the many roles that diseases, treatments and cures have played in the city's sprawling story, and reveals how London, in turn, has shaped the professions and practices of modern medicine.

Authored by Richard Barnett, edited by Mike Jay and published by Strange Attractor Press, the work is composed of three parts:

A volume of essays exploring some of the threads that medicine has woven through London life, from its earliest beginnings to the multicultural metropolis of today: its roles in contagion and sanitation, in wealth and its consumption, in empire and immigration, in pleasure and in madness.

A definitive guide to London's medical landscape: its museums and hospitals, its grand monuments and secret corners, and the characters and events that lie behind them.

Six elegantly designed maps for self-guided walks, from Daniel Defoe's Plague Year wanderings to the druggists of Soho's night haunts, the homeopaths of bohemian Chelsea to the naval surgeons of maritime Greenwich.

Further details and video extras featuring locations from the walks in the book are available on the Medical London site and from the Wellcome Trust. The book is available to purchase from all good bookshops and is available in the Wellcome Library.