Showing posts with label hospitals. Show all posts
Showing posts with label hospitals. Show all posts

Friday, March 2, 2012

The 'Orphans' go for a short walk


In 2009 the Wellcome Library acquired four large paintings known as the Acts of Mercy. They had been painted by Frederick Cayley Robinson between 1915 and 1920 for display in the Middlesex Hospital, in the Fitzrovia district of central London. The Middlesex Hospital building was demolished in 2005 (except for its chapel, which still stands), and its assets, archives and responsibilities passed to the University College London Hospitals NHS Foundation Trust. The paintings, being homeless, were then acquired by the Wellcome Library. From the Wellcome Library they were lent in 2010 to the National Gallery for a temporary exhibition focused on them and their painter. More information about the paintings is available in several postings on this blog.

University College London Hospitals NHS Foundation Trust is now constructing a new cancer hospital, the UCH Macmillan Cancer Centre, in Huntley Street, London, south of the present University College Hospital and not far east of the site of the demolished Middlesex Hospital. 'The Orphans', one of the two pairs of paintings by Cayley Robinson that make up the Acts of Mercy, is being lent to the new cancer hospital, which will open next month, in April 2012. There is a certain appropriateness in the loan because the former Middlesex Hospital had a longstanding interest in, and reputation for, the treatment of cancer. [1]

That tradition went back to 1791 when a surgeon called John Howard sent a letter to "the medical gentlemen of the Middlesex Hospital" proposing that a ward be opened for "paupers afflicted with the disease called cancer". The purpose of this initiative was twofold: to afford relief to the patients and to investigate the causes of cancer. For the relief of patients, an out-patient as well as an in-patient service was suggested. For the purposes of investigation, Howard suggested that notes on cases be kept carefully and made available "to any intelligent or scientific person".

Howard was invited to put his proposals to the Middlesex Hospital Board: he not only did so but also produced an anonymous sponsor who was prepared to pay 3,000 guineas towards the costs. The hospital governors accepted the offer, and the ward opened in 1792. A few years later the sponsor was revealed to be the (by now deceased) Samuel Whitbread (1720–1796), the Bedfordshire brewer whose brewery was based in Chiswell Street in the City of London.

Whitbread's funds created the Cancer Charity, which has been described as "the centre and inspiration of the researches into malignant disease which have flowed from the Middlesex Hospital ever since." In 1914 the Barnato-Joel trustees endowed it with funds to build a new research laboratory. It was absorbed into the Middlesex Hospital's radiotherapy department in 1937. Both before and long after that date, many distinguished researchers, surgeons and physicians carried out at the Middlesex Hospital work towards the two objectives of the charity, relief of cancer patients and advancement of understanding of cancer.

It is that tradition of the Middlesex Hospital that will be continued in the new UCH Macmillan Cancer Centre in Huntley Street. It is remarkable that three specific features of John Howard's proposal to the Middlesex in 1791 are retained in the new building: out-patient treatments, in-patient facilities, and (in collaboration with the UCL Cancer Institute on the other side of the road), making the results of research available by open access publishing. As in the former Middlesex Hospital entrance hall, Cayley Robinson's 'Orphans' will be watching over patients in the atrium of the new building.

The other pair of paintings that makes up Acts of Mercy will remain in the Wellcome Library, and after 8 March 2012 will be redisplayed on facing walls, as Cayley Robinson originally intended. However, anyone wishing to see the four paintings together should revisit the Wellcome Library before that date for a last view of the quartet.

[1] R.S. Handley, 'Gordon-Taylor, breast cancer and the Middlesex Hospital', Annals of the Royal College of Surgeons of England, 1971, 49: 151-164

Images: 'Orphans', by Frederick Cayley Robinson. Wellcome Library nos. 672831i and 672832i

Tuesday, February 14, 2012

160 years of Great Ormond Street Hospital


Today marks the 160th anniversary of the opening of the Hospital for Sick Children at Great Ormond Street, London.  As such, we felt we couldn't let the anniversary pass unnoticed, particularly as the range of material held by the Wellcome Library on the hospital cuts across so much of our collections: whether this be archive material, books, images (of all kinds, as we'll see below) and films.  

Key to the opening of the hospital were the actions of Dr Charles West.  Trained in France and Germany, where children's hospitals had long been in operation, West's book How to Nurse Sick Children (first published in 1854), made the case for children's hospitals in England and particularly in London.  West won support from a number of philanthropists and prominent health experts (including Baroness Burdett-Coutts and Edwin Chadwick) and enough backing was obtained for the Hospital - with ten beds - to open at 49 Great Ormond Street in February 1862.







Shown here is Sir Thomas Barlow, whose papers are held in the Wellcome Library.  Physician to Queen Victoria, Edward VII and George VI and Barlow was an expert in childhood diseases (in particular infantile scurvy).  He was appointed medical registrar at the Hospital for Sick Children in 1874, serving there in different roles until 1899.  The Hospital served as the location for his research, as his papers testify.

Given the themes of his novels, it's perhaps no surprise Charles Dickens was an early supporter of the hospital, as this item from our collections illustrates.  Indeed, as well as fundraising speeches and strenuous performances, Dickens raised the profile of the hospital through a number of articles he wrote for his magazines Household Worlds and All the Year Round.  The hospital even makes an appearance in one of Dickens's late novels, Our Mutual Friend (1864-65).   

However, the most famous literary figure associated with the Hospital is not Dickens, but the Scottish author and playwright J M Barrie.  In 1929, Barrie donated to the Hospital the copyright of his most famous work Peter Pan.  In one of the more surprising additions to our collections, these lantern slides give an indication of how Barrie's creation was interpreted in the 1900s (a version of these slides has been uploaded to YouTube).

To conclude this brief post, we must move outwith the collections of the Wellcome Library and mention the Historic Hospital Admission Registers Project (HHARP).  Although HHARP now includes details of admissions to three other children's hospitals (Evelina Hospital; the Alexandra Hospital for Children with Hip Disease and and the Royal Hospital for Sick Children, Glasgow) arose from work to create a database of late 19th century and early 20th century admissions to Great Ormond Street.  As well as the rich details provided by these medical records, HHARP also includes histories on all the hospitals it includes records from, a handy glossay of medical terms and contextualising detail on the growth of children's hospitals in the nineteenth century.

Images:
- Charles West. Photograph by G. Jerrard (Wellcome Library no. 13730i).
- The Hospital for Sick Children, Great Ormond Street, London: the main facade. Wood engraving by W. E. Hodgkin after D. R. Warry, 1872 ((Wellcome Library no.36052i).
- 49 Great Ormond Street, London, in course of demolition. Watercolour by J. P. Emslie, 1882 (Wellcome Library no. 36079i).
- Sir Thomas Barlow (1845-1945), physician to the King. Oil painting by Harry Herman Salomon after a photograph (Wellcome Library no. 45551i).

Wednesday, December 28, 2011

If not here, where?

It was the proud boast of London’s Windmill Theatre that “We never closed”: that throughout the Blitz, as bombs rained down on London, the theatre continued to provide nude tableaux for the entertainment of lonely servicemen and their like. The list of ways in which the Wellcome Library resembles the Windmill is a short one: limited, most of us would think, to being in London and beginning with W. The beauty of the digital age, however, is that we can add a third to this list and say that in a sense we too never close: even if the Library’s doors may be shut, all manner of online resources remain available, 24 hours a day, for as long as our web-servers have power.

In the past various resources such as online journals or the Hospital Records Database have been highlighted in blog posts. A less well-known project whose data can be used via the Library website, was the Medical Archives and Manuscripts Survey, or MAMS.
When the Wellcome Library began collecting modern archival material in the 1970s, it rapidly became one of the first ports of call for researchers trying to locate the papers of particular individuals, or on particular subjects. The Hospital Records Database, a collaborative project between the Library and the National Archives, grew out of the need to answer questions like this. However, as its name suggests it deals only with hospital documentation, and as regular Library users will know the range of material that can be considered “medical” goes far beyond that – beyond the records of practitioners of scientific medicine and into issues such as nutrition, hygiene, demographics, complementary medicine, and so forth. The Medical Archives and Manuscripts Survey began in the latter 1980s by sending questionnaires out to repositories, and then, when it became apparent that the respondents could not be expected to spot the potential medical implications of every possible source in their holdings, moved in the early 1990s to sending Library staff out to survey archives in situ. By the mid-1990s, well over 100 London institutions holding archives had been surveyed: some, like the Royal Colleges, specialising in medicine; some, like the various Borough record offices, covering a wide range of subjects but limited to a specific geographic area; and others still drawn from all manner of specialisms, from the Alpine Club to the Zoological Society of London via the Marx Memorial Library and any number of other points between.

The 1990s, of course, was a time of radical change in information management and presentation. When MAMS began the aim was to publish the results as a printed directory, like a specialised and more detailed version of Janet Foster and Julia Sheppard's British Archives. By the mid-1990s it was apparent, as the infant World-Wide Web took off, that the way forward for these projects was as web-mounted databases rather than print. To recast the data gathered into granularised database fields, however, rather than the freetext reports that were its current form, would have meant a level of editing work almost as lengthy as the initial survey process had been. As the Web developed, too, increasingly direct access to archive catalogues was possible, and although this did not provide the sort of considered bringing together of medical sources that was achieved by the Library’s surveys, it was another factor in reducing the project’s attractiveness to publishers. In the end the Library decided that at the very least it could make all the information gathered available to researchers in a quick and simple fashion by mounting the various survey reports on the Library website, both as single documents – for those interested in sources available at a particular venue – or as one unified searchable listing, for people interested in a particular topic wherever it was to be found.

So, to the data. The terms of reference were simple: material of some medical or health relevance (“relevance” defined as widely as Sir Henry Wellcome would have done: very widely indeed), between the years of 1600 and 1945. 1600 was chosen as the start date reasoning that material before this tended to be used by a more narrowly defined research community (for example, before this date a knowledge of Latin is increasingly important); 1945, since the post-war landscape of health and medicine was radically different, most notably because of the setting up of the National Health Service. Between these two dates, pretty much anything went. The reader should be aware that the reports are now over 15 years old for the most part and that new material will have come in, contact details may have changed and so forth: but at its core the survey records a great tranche of hugely varied material awaiting the medical historian.

There are, of course, long reports for the obvious sources: the National Archives, the various Royal Colleges for the medical specialisms, the Wellcome Library itself (an overview of archive sources necessary at the time because this predated our online catalogue) and London Metropolitan Archives. These hold the riches that the researcher would expect. The beauty of the MAMS project, however, is in the unexpected material it throws up in those repositories that may be off the beaten track for the medical historian. The numerous borough record offices of the capital hold, as well as the expected local government material (administration of drainage and sewerage, Medical Officer of Health reports, and so forth) and local hospital records, a wide variety of other papers, both business and personal. Examples, plucked at random from the typescripts of completed entries, would include: the 1696 probate inventory of a Dorking physician held at the Minet Library, Lambeth; or the Bryant and May Company records that deal with employees’ conditions and phosphorus poisoning, held at Hackney Archives Department. Croydon Archive Service holds the transcripts of a court case brought against Croydon Corporation following an outbreak of typhoid in the borough in 1938. In the same year, the International Union of Local Authorities met at Finchley sewage works, a brochure and menu from the occasion being held by Barnet record office.

One item in Lewisham’s archives department serves as a splendid illustration of the way in which archival material can travel far from its place of creation, making a guide like this necessary: the personal papers of M.H. Hogg, Medical Superintendent of Grove Park Hospital in the borough, include lecture notes taken at Aberdeen University. Similar examples of travelling material, which may or may not be explained by simple administrative or personal links, occur in other borough record offices: descriptive notes about Tooting Bec Asylum at Lewisham, or the 1914 annual report of Enfield Cottage Hospital at Sutton.

Most satisfying was the discovery of relevant material in specialist repositories whose remit was not ostensibly medical: the type of unexpected find that makes a subject survey essential. A historian of medicine might not think to check a repository whose slant is religious, but papers relating to doctors who were religious non-conformists may be found in the archives of the Religious Society of Friends or in Dr. Williams’s Library. The subjects discussed in the extensive correspondence held by the Royal Geographical Society include the health implications of different climates and medicinal plants from around the world. Finally, one can be reasonably certain that a historian of medicine in Bradford would not automatically head for the British Architectural Library at RIBA, yet there one may find a Bradford apothecary’s recipe book.

Less overtly medical material can also be fruitful for the researcher: for example, the papers of the banker Hastings Nathaniel Middleton (1781-1821), held by the City of Westminster Archives Centre, turn out to go into some detail on the mental illness of his mother.

The survey is, of course, the tip of the iceberg. Similarly varied material will exist in repositories outside London: it was the intention to carry MAMS beyond the capital, but the changing technical landscape halted the project before this happened. More material will have arrived at record offices since these surveys were carried out. There will, also be material from outside the date-span of the survey. In this last category comes a favourite example of the sheer unpredictability of medical archive sources: in the London Borough of Hillingdon’s archives at Uxbridge Library is a report, dating from the 1970s, on the movements of foxes in the borough. The medical relevance is that the fox is the main carrier of the rabies virus in continental Europe: the report was prepared to assess the rapidity with which rabies might spread by this means if the virus gained a foothold in Britain. As this illustrates, the medical implications of archive material may not superficially be obvious; but once one’s eyes are opened, almost all repositories will hold something worth recording and worth pointing out to the researcher. There is a wealth of material out there and much of it is recorded in the MAMS reports – we recommend readers to start exploring.

Note: contact details given in the MAMS reports were accurate at the time of the survey but may have changed since: for up-to-date information on addresses, telephone numbers, e-mail and web addresses, etc., readers should consult the National Archives' Archon directory.

Images, all repositories covered by the MAMS project. From top:
1/ Battersea Library, home of Wandsworth Heritage Service. Photograph copyright Christopher Hilton, made available under Creative Commons Licence via the Geograph website.
2/ The Royal College of Surgeons of England, c.1813: painting by George Dance, from Wellcome Images.
3/ Bishopsgate Institute. Photograph copyright David Bradbury, made available under Creative Commons Licence via the Geograph website.
4/ Minet Library, home of Lambeth Archives. Photograph copyright Stephen Craven, made available under Creative Commons Licence via the Geograph website.
5/ Dr Williams's Library, Gordon Square (a near neighbour of the Wellcome Library). Photograph copyright David Hawgood, made available under Creative Commons Licence via the Geograph website.

Tuesday, April 12, 2011

Wellcome Library Insight - Women, health and healing



This week's free Wellcome Library Insight session - on Thursday 14th April - explores the changing role of women in medicine and attitudes to female healers through the centuries, with historical material drawn from the Wellcome Library’s collections.

Our Insight sessions offer visitors to the Wellcome Library an opportunity to explore the variety of our holdings. Sessions are thematic in style, last around an hour and offer a chance to learn about our collections from a member of Library staff.

This Thursday's session starts at 6pm. For more details on attending, see the Wellcome Collection website.

Image: A nurse and a smallpox patient in an isolation hospital, possibly at Ilford, Essex (Wellcome Library no. 527792i).

Monday, March 7, 2011

Wellcome Library Insight - Women, health and healing


This week's free Wellcome Library Insight session - on Thursday 10th March - explores the changing role of women in medicine and attitudes to female healers through the centuries, with historical material drawn from the Wellcome Library’s collections.

Our Insight sessions offer visitors to the Wellcome Library an opportunity to explore the variety of our holdings. Sessions are thematic in style, last around an hour and offer a chance to learn about our collections from a member of Library staff.

This Thursday's session starts at 3.00pm. Spaces are limited and allocated on a first-come, first-served basis. For more details, see the Wellcome Collection website.

Image: A nurse and a smallpox patient in an isolation hospital, possibly at Ilford, Essex (Wellcome Library no. 527792i).

Tuesday, June 15, 2010

New voluntary hospitals database

We are delighted to report that further value has been added to the Wellcome/National Archives Hospital Records Database with the creation of links to information in the Wellcome Trust-supported Voluntary Hospitals Database of the Centre for History in Public Health at the London School of Hygiene and Tropical Medicine (located at http://www.hospitalsdatabase.lshtm.ac.uk/) in the entries for individual hospitals.

This new database provides a rich resource of statistical data relating to Voluntary Hospitals between the 1890s and the inception of the NHS. Prior to the NHS, voluntary hospitals, inaugurated by private philanthropy and supported by subscription, were (alongside poor law, later local authority, infirmaries) one of the major sources for access to hospital care by the general public who were unable to afford private treatment. They included major teaching hospitals and specialist institutions.

Hosprec itself continues to be updated as we receive additional information on the records of hospitals in repositories throughout the UK. It currently includes data on the records of over 2500 individual hospitals of all types. The public interface on The National Archives website is searchable by hospital name and town. Pending an upgrade of this search interface, researchers who are interested in searching the database under other criteria, including combinations of different fields, should contact Archives and Manuscripts at the Wellcome Library, archs+mss@wellcome.ac.uk

Friday, February 19, 2010

Behold the man: a painting in Perth


Christ displaying his wounds. Oil painting on canvas 132.1 x 99 cm.
Perth Museum and Art Gallery, Scotland.

This painting of Christ showing to the viewer the wound in his side has belonged to the town of Perth, Scotland, since around 1862, when it was presented by a local resident, Colonel William Macdonald Farquharson Colquhoun Macdonald (1822-1893). Until recently it was hardly known to anyone, but in November 2007 it became available on the web in the British online database National Inventory of Continental European Paintings, in which it appears with a catalogue record by Dr Claudia Heide. (A small selection of the Wellcome Library's more problematic oil paintings--164 items--are also included in the same database.)

However, though databases may be accessed on the Internet through what is called a "browser" (such as Internet Explorer, Netscape or Firefox), they, unlike ordinary web-pages, do not usually expose their contents for browsing, and the painting did not come to wide public attention until it was published in the pages of a journal in October 2009, when it was the subject of a thorough and expert study by John Gash of the University of Aberdeen [1]. Such an exceptional painting raises several inter-related questions about its authorship, iconography, and function, which are discussed in Mr Gash's article.

First, who painted it? It is a Caravaggesque painting, and although there are features that suggest an attribution to the artist called Caravaggio (Michelangelo Merisi, il Caravaggio, 1571-1610), the odds are that the painting is "a stupendous act of homage by an early follower" of Caravaggio. Gash mentions as the possible author of the painting no fewer than eight such followers, all of them well known to students of the international Caravaggesque movement, and all of whom worked in Rome at some time: Bartolomeo Manfredi, a master of half-length compositions; the elusive Giovanni Antonio Galli, il Spadarino; G.B. Caracciolo, il Battistello, of Naples; Valentin de Boulogne; Gérard Douffet from Liège; the Venetian Carlo Saraceni; Antiveduto Gramatica from Siena; and Alessandro Turchi from Verona. Unable to fix on a definitive attribution, especially in the painting's uncleaned state, Gash concludes by designating the author as The Perth Master. One of the small unusual features that might prove to be a clincher of the attribution is the fact that the outer contour of Christ's halo follows the irregular contour of his hair, instead of being a perfect circle.

The iconography is also unusual. Pictures of Christ showing his wounds are usually narratives of Christ showing his wounds to the doubting Saint Thomas, called by art-historians the ostentatio vulnerum [2]. In the Perth painting, Christ is showing his wounds to us as the viewers of the painting; or to us as contemporary doubting St Thomases. Works showing this subject tend to be mediaeval rather than early modern: the closest parallel cited by Gash is a Florentine sculpture (left) from the early 15th century, which happens to be prominently displayed in the Medieval and Renaissance Galleries at the Victoria and Albert Museum--the new galleries which opened on 2 December 2009 (below right). [3] It is displayed rather high on the wall in the V&A because it is thought to have been placed originally above the cloister doorway in the hospital of Santa Maria Nuova in Florence. [4]









This provides Gash with a clue to the function of the painting:
"Sculptures and paintings of this subject were traditionally located in hospitals, as reminders of Christ's compassion for, and identification with, sick and suffering humanity, and it may be that the sculptural qualities of the Perth painting reflect that tradition and were devised for such a location." Paintings for such a setting are documented as having been painted by Caravaggio himself. During his time in Rome, one of his patrons was the prior of the hospital of Santa Maria della Consolazione: as Gash remarks, "none of these pictures has ever been identified, and the subject of the Perth canvas would make it an ideal contender".

However, Caravaggio was not the only painter to receive such commissions. Another of the candidates, Bartolomeo Manfredi, was patronised by Pope Paul V's physician, the connoisseur and critic Giulio Mancini, who had links with the two Roman hospitals Santa Maria della Consolazione and Santa Maria della Scala. Manfredi also made paintings for the rector of the Hospital of Santa Maria Della Scala in Siena. Another Caravaggesque painter, the Fleming Louis Finson, painted an allegory of the four humours and other subjects for the hospital of the Jesuits at Sant'Andrea della Valle in Rome before 1612. [5]

The Perth painting gains in force if we imagine that we are not just doubting St Thomases to be won over intellectually to the possibility of resurrection, we are also vulnerable, ailing hospital patients with painful ulcers, bubos, and aposthumes, to be comforted by this vision of Christ appearing, as if in living reality, before us, and demonstrating his own trauma. Christ tilts his head, raises his eyebrows and furrows his forehead in a combined questioning, pained and resigned expression in response to our presence before him: "What do you expect? I went through this—-you can endure it too". The contour of the halo also emphasizes his physical humanity.

So—a remarkable discovery, obscure even in Perth, even more so elsewhere until now, and one which enlarges our insight into the minds and sufferings of early modern people.

[1] John Gash, 'A Caravaggesque "Christ" in Scotland', The Burlington magazine, October 2009, 151: 682-690

[2] Sabine Schunk-Heller, Die Darstellung des ungläubigen Thomas in der italienischen Kunst bis um 1500 unter Berücksichtigung der lukanischen ostentatio vulnerum, München: scaneg, 1995

[3] Anna Somers Cocks, 'How the Victoria and Albert Museum dealt with the dying of Christianity: the redisplay of the museum's Medieval and Renaissance Galleries' The art newspaper, December 2009, http://tinyurl.com/yzjfawm

[4] "Tentatively identified as the figure of Christ once situated over the now-destroyed small doorway leading into the Chiostro delle Ossa, next to the church of Sant'Egidio within the hospital of Santa Maria Nuova in Florence. Christ's wounds were a focus for devotion. His side wound was especially venerated, and in prayers it was evoked as a refuge for sinners. No. A43-1937 artist unidentified" (V&A exhibition label)

[5] Louis Finson, The four elements, Milano: Rob Smeets, 2007

Friday, May 22, 2009

The origins of NHS bureaucracy

The Dispensary movement had its beginnings in London in the second half of the 18th century. Championed by the Quaker physician John Coakley Lettsom, a system of dispensaries was introduced where the poor could be treated as out-patients and even be attended at home by physicians of high rank. The dispensaries were supported by individual subscribers who could then sponsor a patient. The library has recently purchased six printed forms which are rare examples of how administration of the sponsorship system worked and the origins of our modern health service bureaucracy.

Three forms were for the Surrey Dispensary – admission (with a long list of rules), for the patient to thank their sponsor on recovery and a third for the services of a midwife. The other set were for Eastern Dispensary – admission, to give thanks to the sponsor and to inform the sponsor that the previous patient had died and there was a vacancy. Along with these are two small pamphlets giving an account of these two dispensaries, including a list of the subscribers.


What is even more unique about this set of forms is that we know who originally collected them and why. These items were among the recently dispersed papers of Thomas Adams (d. 1813), solicitor, agent for the Duke of Northumberland and owner of Eshott Hall, south of Alnwick (purchased in 1783). They were sold at auction in Carlisle by Thomson Roddick & Metcalf auctioneers in July & August 2008. It is clear from a letter which accompanies the Surrey pamphlet, and a number of other documents from the collection, that Adams was planning to set up a dispensary in Alnwick and went about gathering as much information on the management of these institutions as he could find. He collected other material from Newcastle, Durham and Wakefield. For some reason his ambition was not realised until after his death. The Alnwick Dispensary was founded in 1815.


The original building for the Surrey Dispensary, dating from 1777, still survives on Falmouth Road Southwark. The records, including subscription books and patient registers, are now held at the London Metropolitan Archives. The Eastern Dispensary moved to new premises in 1858. It closed in 1940, but now has a new lease of life as The Dispensary Pub and Dining Room.

Detailed descriptions of all the items can be found in the Wellcome library catalogue.