Sherlock Holmes took his bottle from the corner of the mantel-piece, and his hypodermic syringe from its neat morocco case. With his long, white, nervous fingers he adjusted the delicate needle, and rolled back his left shirt-cuff. For some little time his eyes rested thoughtfully upon the sinewy forearm and wrist, all dotted and scarred with innumerable puncture marks. Finally, he thrust the sharp point home, pressed down the tiny piston, and sank back…
(Sir Arthur Conan Doyle, The Sign of Four: opening words)
Every year, at the start of January, the Wellcome Library opens various archive items to the public that have been closed under the Data Protection Act until this point. As usual, this year’s collection of expired closures is widely varied, the subjects spanning madness, animal experimentation, the skin pigmentation disorder Argyria, and the discussions of Allied leaders during World War II. The items’ formats include patient records, personal diary notes, fellowship applications and organisational subject files. But what do any of these have to do with the opening words of
The Sign of Four, possibly the best-known depiction of drug use in English literature until
Trainspotting came along?
Among the items opened are several from the Manor House asylum, a private mental hospital located in Chiswick House, south-west London,
some of whose papers are held at the Wellcome Library. MS.6224 comprises a volume of case notes for male patients in the years 1906-1925. The very first case provides our link. The patient, Charles Henry Malcolm Kerr, is an artist aged 48 who arrived at Chiswick in 1906. The doctor examining him on admission takes up the story:
"He is described as being normally rather reserved, and has done some good work painting, his portraits having been accepted by the Academy…. Broke down last spring and became irritable & excitable. Taken by Dr Lord to his "home" at Hampstead, then began to smash things, & threaten, and evidently in a condition of absolute insane excitement, was certified & sent to the Priory."
From the Priory Kerr was transferred to Chiswick. What his problems were may perhaps be indicated by the following undated note inserted between the pages of the newly-opened casebook:
"Dear Dr Tuke,
I wish I c[oul]d have some more brandy: it is like being in prison to be deprived like this of ordinary necessities.
C.K.
Also if you c[oul]d lend me a hypodermic syringe I s[houl]d be very much obliged."
Another note sheds light on the syringe:
"Dear Dr Tuke
Last night, the morphia bottle was not found in my room: so Mr [illegible] refused to give me a dose at all: this, I regard as the most monstrous piece of insolence in a paid [illegible] I have ever heard of: but not by any means the only bit of impertinence I have been subject to.
The morphia you have given me has had no effect at all. Mr Savage said definitely that I was to have it in doses strong enough to have some effect. I have told you over and over again that I have to take morphia in larger doses than people who are not accustomed to it: but you never attend to anything I say.
C.K"
Finally, another undated note suggests possible withdrawal symptoms:
"Sir
For heaven's sake send me some brandy or something, I never felt so ill in my life. If I had been at my own home I c[oul]d have put myself right hours ago.
C.K"
But the link to Sherlock Holmes? Although the doctor making notes on Kerr’s admission concentrates on his portrait work, Kerr was also a book illustrator of some note, providing pictures for works by Rider Haggard, Robert Louis Stevenson – and Conan Doyle. In fact, when
The Sign of Four, with its vivid opening depicting intravenous drug use, was published in 1890, it was with illustrations by Charles H.M. Kerr.
Holmes’s drug of choice is said to be cocaine rather than the morphia Kerr uses, but Doyle does make a reference to “the drowsiness of the drug” when talking of cocaine use in a way that suggests this is one of his notorious errors of detail and that, at least sometimes, Holmes should be seen as taking morphia. Does art imitate life in this case, or life imitate art? Did the illustrator work on a text describing a dependency he knew only too well, or only later fall victim to the same addiction? The case-notes await work that would flesh this out.
What is only too clear is that the two addicts had different fates: Holmes, famously, is weaned off his drug-use by Watson, but Kerr has a less happy end. On September 8th 1906 he leaves the Manor House for his wife’s care, noted as "Discharged ‘Relieved’", but a note below this comments "Died at Burgess Hill, December 1907", a little over a year later.
Elsewhere in the papers newly open, we find a notebook by Winston Churchill’s physician Lord Moran, containing observations on many topics including Churchill’s character and oratory, and the meetings of Allied leaders. In February 1945 he accompanies Churchill to the meeting of Allied leaders at Yalta and comments on Franklin D. Roosevelt’s poor health:
There was a good deal of talk last night about the afternoon Conference at the President's house. Everyone thought he had gone to bits physically and there was much speculation ab[ou]t the cause. It was at [illegible] that I first realized there was something wrong and that he was losing weight. Now anyone can see that he is a very sick man. It is not only his physical deterioration that they notice. He intervened in the discussion very little, his mouth dropped and he seemed to have little grip on things. He has al[wa]ys been short of knowledge about the subject under discussion but his shrewdness as covered this up to the present. Now, they say, the shrewdness is gone and there is nothing left.
Stalin doesn't seem to be taking advantage of the new situation…
Cadogan [Sir Alexander George Montagu Cadogan (1884-1968), permanent under-secretary at the Foreign Office] told me he did not think Stalin liked the PM's theatrical style. He had noticed him looking at Winston when he was making gestures with tears in his eyes. I wonder if this only means Cadogan himself doesn't like this particular style of oratory…"
(PP/CMW/K.4/2)
This is one of only three items from the
Moran papers to be opened this year, but these few are the prelude of a long series to come: January 2011 will see twenty-one items from that collection newly opened. Fascinating revelations can be expected.
From addicted artists to the corridors of power: the full varied list of items newly opened is given below. Readers are warmly invited to visit the Library and enjoy the sensation of being among the first people to read these papers for decades.
MS.6224 Manor House asylum: case notes, male patients (surnames A-K only), 1906-1925
MS.6226 Manor House asylum: case notes, female patients (surnames L-Z only), 1906-1925
MS.6334 Ticehurst House hospital: patient Certificates and Notices: Admission dates 1905-1909.
MSS.6347-6348 Ticehurst House hospital: Margaret Georgina Finch patient file (2 parts)
MS.6788 Ticehurst House hospital: Photograph Album
PP/CMW/D.6/1/1 Lord Moran papers: notes on London teaching hospitals and metropolitan regions
PP/CMW/D.6/1/3 Lord Moran papers: notes on teaching hospitals in the provinces
PP/CMW/K.4/2 Lord Moran papers: notebook containing miscellaneous observations on Winston Churchill character, oratory, meeting Stalin, Teheran, 1943
PP/HUN/C/1/7 Donald Hunter papers: Argyria
PP/RAS/D.41/3 Hugo Rast papers: patient file, Wladimir Wolkoff
SA/BMF/A.2/95-98, 100, 106 Beit Memorial Fellowship records. Files on: Eagles, George Hardy; Needham, Dorothy May; Chamberlain, Ernest Noble; Allott, Eric Newmarch; Denny-Brown, Derek Ernest; Irvine, James Tutin
SA/BRA/C.1/3/1 Brain Research Association papers: response to the 1979 Protection of Animals (Scientific Purposes) Bill and the 1979 Laboratory Animals Protection Bill (Includes papers from the Committee for the Reform of Animal Experimentation, The Physiological Society, the Research Defence Society, The Royal Society, and the Universities Federation for Animal Welfare)
SA/MAC/G.1/1 Mental Aftercare Association records: Registers
SA/MAC/G.2/5 Mental Aftercare Association records: Case Agenda Books
SA/RDS/J/12/3-9 Research Defence Society: files relating to the 1979 Protection of Animals (Scientific Purposes) Bill
SA/RDS/J/17 Research Defence Society: correspondence, 1980
All are described in the
Archives and Manuscripts catalogue: simply search on the reference given at the start of each entry.
Illustrations: the upper illustration shows the first page of The Sign of Four. The lower shows Lord Moran aboard a ship.
The portrait artists of Leicester Square were forced to leave their patch during the £15 million refurbishment of the square. Although the work has now finished and the artists are still paying their expensive monthly licences, the council still refuses to give them permission to return.
No where to sit and all the statues have gone. The artists were always on the outside of the square and a big hit with tourists.
Ayoka 
David Wynne's 
