Saturday, January 28, 2012


Wings Over Hooterville


In The Wake of Wings, Fans Received This When They Wrote
for Clara Bow's Autograph
 I've got this swell idea for a sitcom episode. A rinky-dink town down South (my own perhaps) stages a forty-years late premiere of The Godfather, with guest stars Jimmy Caan and Al Pacino joining in nostalgic fun. We could recreate the kooky fashions and silly music like they had in 1972! Jim and Al could show up as if they were still big stars, but turn out to be nice guys and good sports. Everybody would get a laugh over this old movie Dad and Grand-folks thought was so great. We could all be glad too that movies have progressed so far as they have since The Godfather. We've even got 3-D now, something they never dreamed of!


Kinda Slow Uncle Joe's In Fast Company When Dick and Buddy Touch Down For 1968 Pixley Wings Premiere


A Picture So Big, The Ad Didn't Even
Have To Mention Clara Bow 
 Some of you will remember the November 9, 1968 episode of Petticoat Junction simply called Wings. If not, go to You Tube and watch (in three parts) before Paramount legal pulls it down. This is the most remarkable souvenir of Wings that ever was, and would have made a fab extra on the just-released Blu-Ray. A lot of Wings' following have no idea this thing is out there. I'm aware because it was a big deal that CBS (school) night when otherwise labored Petticoat Junction followed up on Beverly Hillbillies conceit that deep South theatres were still back of conversion to sound and hopelessly stuck with relic movies the culture had grown out of. If only reality had been so! I could have sat in the Liberty watching London After Midnight and Heart Trouble while the rest of you had Angel In My Pocket and She-Devils On Wheels.




Dick and Buddy must have dined many a night on memories of Wings, but how many among Petticoat Junction viewers actually saw the 1927 (first) Best Picture winner past those around for initial release? For me at the time, there'd be no more exposure than seconds flashed on Pixley's Bijou screen. Better it was thought in 1968 to acknowledge "great old" silent pictures than sit through one, let alone offer up a Wings for network broadcast. I wonder how many runs Paramount licensed during the sixties (Films, Inc. had it available on 16mm non-theatrical by 1977). VHS and laser disc were years off, these formats a first modern (home) exposure for Wings, and now after a decade begging, fans are in receipt of Blu-Ray and likely a best presentation the air-epic will ever get. That's waiting longer than Pixley did, but for quality got here, a rewarding one.

I Went By Radio Shack and Asked For a Kolsterphone, But They Were Out

Could Paramount  piggy-back Wings into theatres  just off successful play of The Artist? Would satisfied patrons for that homage to silents come back for the real goods? I'd not call Wings silent, though. For music and effects Paramount has added, it's more of a sound movie than most talkies. My one-word review of this Blu-Ray is stunning, and that's 'nuff anyone need say for colossal result Para achieved. Just when you're ready to give up on these big congloms, along comes a job like this, distressed residue of Wings now within reach of digital healers to mend. Progress moves so fast in today's tech realm to keep us continually amazed. What Paramount did puts rise to speculation as to when other pre-talkers might roar back, trouble being sad fact few of them have the cache of Wings. It being Academy-anointed Best Picture of that first awarding year is primary reason we've got Blu-Ray possession now.

Director Bill Wellman Shuts Down For Wet Ground, But It Must Have Been Plenty Cold Too, If Dick Arlen's Fur Mittens Are Any Indication


Was a next generation of silent enthusiasts conceived by The Artist and theatres it filled? Should this one win 2011's Best Picture, there surely will be renewed interest in things non-talking, maybe not wide-encompassing, but well beyond closets the so-far micro-niche has been confined to. Before retreat into Greenbriar's shell, I ran silents to college attendance ... voluntary, not class-compulsory ... and these were among best-received of respective seasons (all within a last ten years). Again I cite a simplest rule: never, Never call them silent movies. Music and Effects is selling's most effective label. I'd challenge anyone to walk out of Wings calling it a silent movie. The next time I play the Blu-Ray will be as much to listen as watch (especially with the disc's two score option).


Buddy Rogers and The Guy Everyone Knew Would Be The Next Big Thing



How sales go on the Blu should be interesting. Will media support it now that The Artist makes pre-talk fashionable? This could be occasion for sheep leading us in a good direction. What if enthusiasm for (really) old movies suddenly became cool? To paraphrase Jerry Colonna, we can dream, can't we? Wings has lots to generate interest. Ancient aircraft (there are buffs for these nuttier than our community), battles fought by men instead of microchips (realism here is almost startling beside phony-baloney CGI), plus revelation for many of spellbinding Clara Bow. I loved Paramount's showman-like retrieve of the Handschiegl color effect (practiced writing that word down several times and bet I still got it wrong) used for dog-fight guns and spiraling planes. Here's a tip for whenever you play Wings or any WW1 aerial pic to a crowd: Just whisper "Guys got killed making this" before each combat. Never mind whether it's true so long as it perks 'em up, which it invariably does for my shows.