The one exhibition not to miss before Christmas is Nan Goldin's show at the Matthew Marks Gallery. Juxtaposing images from decades of her own work with her recent shots of artworks in the Louvre, the show is divided into two parts – one a display of prints, and then in the darkened almost cinema-sized screening room, one of Goldin’s trademark slide shows.
For much of 2010, The Louvre allowed Goldin access to its collections on Tuesdays, when the museum is closed to the public. Goldin wandered through the galleries, focusing on the paintings that most spoke to her, revisiting certain pieces again and again, to the point where she started to see them as human rather than historic objets d'art. The connection that developed became "one of the most sensuous experiences" of Goldin's life – which is saying something because Goldin is primarily a sensualist (secondly a colorist, and thirdly a natural born photographer).
My favorite part of the experience was the slide show where in picture after picture one can only marvel at Goldin’s ability to turn everyday moments into vibrant works of art.
DO NOT MISS!
